‘You escape from your own convent, at great personal danger. You have a daughter, no? Madame Ibstock, I think. " "And I trust you will never have occasion to weep again, my poor soul," replied Wood, setting down his lantern, and brushing a few drops from his eyes, "unless it be tears of joy. “Call me Cathy, John. "It's not an offer," continued he, "that I'm likely to make, or you're likely to receive every day in the year. ’ ‘Eh bien, what then?’ Emile sidled closer. He’s dead. Annabel entered. ‘Not where we’re going. I am sorry to seem to hurt you, but all I say is for your good. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "I'll have to set you right on that, too. "I beg your pardon," he cried; "but really—ha! ha!—you must excuse me!—that is so uncommonly diverting—ha! ha! Do let me hear it again?—ha! ha! ha!" "Upon my word," rejoined Wood, "you seem vastly entertained by my misfortunes.
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