To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. “May I tell Nigel to come and see you again? I am not here to do his love-making for him, you know. ‘Do you mean to tell me,’ enquired the captain at length, ‘that you have had the infernal audacity, the—the gall, the—the— Gad, it’s an outrage! You’ve stolen a horse from a priest?’ ‘I did not steal it,’ protested Melusine hotly.
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