On the mantelpiece in front of her was a note addressed to her in Annabel’s handwriting. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. . CHAPTER XII. What’s the name of the happy man?” Gwen owned to “Fortescue.
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